It is often said that this opera could, perhaps should, be called Tatyana rather than Onegin as she is in many ways the more central (and interesting) of the characters. It is both a strength and weakness of Julia Burbach’s direction that the title character is not only on stage far more than the opera…
I am not certain I understood the closing of John Cox’s 2004 staging of Cosi fan tutte, revived with a splendid cast at Garsington Opera this season, as the two “soldiers” leave their lovers and head off to war. Have they decided that women really are all the same and they are better off with…
One of the many delights of Garsington Opera is how the glass walls of the pavilion allow for the “action” to begin and continue beyond the actual stage and auditorium. Being set in the exquisite Wormsley Estate, itself an Arcadian idyll, this is wonderfully appropriate for the first act of John Caird’s charming production of…
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