**** The first instalment in this year’s WNO Spring season was a revisitation of a classic, and so it feels very balanced that we are now invited to explore the dark (and, in places, insalubrious) world of a more esoteric work, one that was produced well after the heyday of classical opera and that is […]
Read MoreWales Millennium Centre *** There are some works which are harder to look at under a modern lens than others, and Così Fan Tutte is certainly one of that number. To bring to a stage, in 2024, a work that is literally titled ‘they’re all the same’ is inevitably to contend with its glaring sexism, […]
Read MoreWhat else can be done with La Traviata that has not been done already? Giuseppe Verdi’s most famous work, the one many regard as the quintessential opera, has been through such a huge number of incarnations, revisitations and reimaginings – some more fortunate than others – that one would be truly hard pressed to think […]
Read MoreAs the headlines in the news have inevitably stoked an anti-Russian sentiment which is at risk of extending from the political decision-makers to the Russian people who too are their victims – and as episodes of censorship suggesting the erasure of all things Russian-related have repeatedly been pointed out in recent month – it is […]
Read MoreJune is barely over, and already this is proving to be a very interesting Summer for new operas. This is especially exciting given the existing rhetoric around the idea that opera is an old and dusty artform, incapable of representing the contemporary world, and so it is a special delight to see an increasingly broad […]
Read MoreThere is plenty of tricky ground to tread when bringing Madam Butterfly to the stage. One of Puccini’s masterwork, the opera is so well-known, even within the broader boundaries of pop culture, that it is a challenge in itself to approach it from a new angle, without repeating something that has already been done to exhaustion while […]
Read MoreThe WNO continues in its exploration of the works of Czech composer Leoš Janáček, this time going back to the early stages of his career to offer a new production of this 1904 work, known originally under the title of Její pastorkyňa (Her Stepdaughter) before being most commonly titled after the name of its protagonist. […]
Read MoreGiuseppe Verdi’s La Traviata is possibly one of the most famous operas of all times, containing a number of equally famous arias that would be easily recognisable even to the ear of the layman. This poses an additional challenge to the cast, called to match a degree of expectation from the audience that is likely […]
Read MoreWelsh National Opera chose to open its Autumn season with what many may deem an odd choice: Sergei Prokofiev’s adaptation of War and Peace. In many ways a late opera, if not a post-opera, this monumental work was written in the last of the golden years of opera, and subverts many of the rules of […]
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