Reviews
A psychological journey into Onegin at Opera Holland Park
It is often said that this opera could, perhaps should, be called Tatyana rather than Onegin as she is in many ways the more central (and interesting) of the characters. It is both a strength and weakness of Julia Burbach’s direction that the title character is not only on stage far more than the opera…
A sunny seaside Cosi fan tutte at Garsington Opera
I am not certain I understood the closing of John Cox’s 2004 staging of Cosi fan tutte, revived with a splendid cast at Garsington Opera this season, as the two “soldiers” leave their lovers and head off to war. Have they decided that women really are all the same and they are better off with…
An Arcadian idyll: Orfeo at Garsington Opera
One of the many delights of Garsington Opera is how the glass walls of the pavilion allow for the “action” to begin and continue beyond the actual stage and auditorium. Being set in the exquisite Wormsley Estate, itself an Arcadian idyll, this is wonderfully appropriate for the first act of John Caird’s charming production of…
Siegfried, Longborough Festival Opera
Longborough’s artistic director Polly Graham was understandably delighted to welcome back audiences, both to the Cotswolds opera festival and the resumption of a staged Ring Cycle, Siegfried. Not so enviable was the task of informing the Wagnerian devotees, hungry to embark on the next stage of the mammoth undertaking that Pauls Putnins would be singing…
A joyous The Gondoliers from Scottish Opera at Hackney Empire
The overarching feeling of Scottish Opera’s The Gondoliers at London’s Hackney Empire is joyful exuberance. It sounds a fanfare for the pleasure of live performance returning after the long darkness of this dreadful pandemic; a splendidly staged, marvellously sung and genuinely funny evening of Gilbert & Sullivan. The opera has particular interest to aficionados, the…
Don Giovanni, to hell and back
Don GiovanniWelsh National OperaWales Millennium Centre By Mike Smith The concept behind this take on the Mozart moral tale is Rodin’s The Gates of Hell, a monolithic bronze works, with human figures cast into the metal – as becomes the fate of the great seducer Don Giovanni. Figures from the vast masterpiece were also created…
Life’s a beach on Alcina’s love island
It is intriguing that a wave of Alcinas is hitting our opera houses. Opera North has dived in first with a pared down Handelian adventure for this Baroque menage or menagerie a cinq on the sorceress’ love island. Characters wonder on stage and wonder off again, usually after singing but not always, and there is…
Singing soars above what risks being a one trick zebra
I have had a Jon Snow moment, watching a production that is based on one premiss, black people can be vulnerable outsiders, surrounded by as far as I can see virtually an overwhelmingly white audience. I am not sure what that says about opera or about its reach, but I also suspect that applying a…
Singers and orchestra save this show from being a ring of dire
I sometimes wonder whether Wagner sets some sort of challenge from beyond the grave on the Ring Cycle to test its strength. The challenge being: who can make such a pig’s ear of a production to destroy the magnificence of the music and the impact of the story on audiences. This time it was down…
A large tot of happiness from ENO’s Pinafore
HMS Pinafore at English National Opera is a joyous entertainment that revels in the humour while ensuring the highest standards of musicianship. It is, shock horror, enjoyable. Yet it is a mark of our strange times when performing Gilbert and Sullivan seems quite brave and some companies would fret themselves onto a woke apoplexy performing…