Clear, unfussy direction, a versatile and attractive set, rich orchestral playing, and singers thrilling in their artistry and authenticity – this was the pleasure of Grange Festival’s Queen of Spades. At first it jars a little, having lots of patriotic Mother Russia sentiment expressed on stage at such a time of imperial warfare against Ukraine,…
This intelligent and extremely entertaining double bill of Gluck and Purcell at Grange Festival has three stars: the cast, the orchestra, and Robert Innes Hopkins. Why Hopkins? Because the set is pivotal to not only both dramas but enables this special opera festival to present two works with minimal production changes. Alexandra Oomens and Heather…
*** This intriguing Adele Thomas direction of Verdi’s Il Trovatore has at its core the horrific damage done to the so-called witch Azucena and her quest to fulfil her mother’s demand at the stake for vengeance. Our eyes may be drawn to the quasi-Medieval teeth snarling stylised mask that opens and closes like the jaws…
***** Sometimes it is a bore being an opera-loving academic classicist. On one hand it can be very helpful knowing the classical and mythological tales that so many operas are based on. On the other, however, directors and their designers can really get your purist heckles up. However, when this Mitridate, Re di Ponto opens…
***** Great things are now expected from the acclaimed Natalya Romaniw, and in Bruno Ravella’s production of Ariadne auf Naxos for Garsington Opera the warm, golden-voiced soprano delighted. She has enjoyed great success with this glorious opera company in a variety of roles that have demonstrated versatility of singing and acting across genres. Here Romaniw…
**** It has been a while since I can remember Welsh National Opera getting a (well-deserved) standing ovation and while it is a pity it is for a fun musical rather than “serious opera” at least the company is pleasing people again. Similarly, the previous crowd-pleaser was Blaze of Glory, another witty and laugh-out-loud lighter…
Watching Longborough Festival Opera’s L’elisir d’amore within 48 hours of attending Tristan und Isolde at Grange Opera made this genuinely funny production even more delightful. Delightful as Donizetti took the love potion straight from Wagner’s tragic masterpiece and turned into the heart of a comic romp that is quite the antidote to the demanding, and wonderful,…
***** Take singers in fabulous voice, the Gascoigne orchestra luxuriating in Wagner’s exquisite music and a visually and theatrically intelligent and beautiful production and you have Grange Park Opera’s life-affirming Tristan und Isolde. From those unmistakable opening sounds rising from the orchestra, under Stephen Barlow’s conducting, in the small and intimate Grange Park auditorium it…
**** John Doyle’s stark yet still beautiful staging of Massenet’s Werther continued what seems a probably unintended season of productions where the soprano dominates even if, as here, a man has the title role. The Gascoigne Orchestra conducted by Christopher Hopkins, sweeping along with the intense score, makes full affect with Massenet’s grand climatic moments….
**** Grange Park has brought together a powerful cast for this revival of Peter Relton’s 2017 direction of Tosca, with similarly stentorian conducting of the BBC Concert Orchestra by Mark Shanahan. While I am unfamiliar with the 2017 original show that is now revived by Stephen Medcalf, it remains the performance of the cast and…
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