Natalya Romaniw’s performance in Garsington Opera’s first production of Rusalka was delayed by Covid for two years. Then mid-run the Swansea-born soprano tested positive and Elin Pritchard jumped in and by all accounts gave the audience a much-enjoyed performance. By the start of July, Covid-free, the singer returned to the stage, and it was this…
Michael Boyd’s production makes excellent use of the glass pavilion at Garsington with peasants visible as they approach the stage and similarly the pairs of lovers (or not lovers in Onegin and Tatyana’s case) walking around the outside of the auditorium. However, it was distracting having some scenes overshadowed by unnecessary although stylish additions such…
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