**** Well, I never. A staging of a comedic opera that is actually funny. Purists may argue Verdi’s Un Giorno di Regno, owes more to Donizetti or Rossini but who cares? In this delightful new staging by Christopher Alden for Garsington Opera we are given a contemporary arms dealer’s office Kelbar Defence Ltd. rather than…
***** Sometimes it is a bore being an opera-loving academic classicist. On one hand it can be very helpful knowing the classical and mythological tales that so many operas are based on. On the other, however, directors and their designers can really get your purist heckles up. However, when this Mitridate, Re di Ponto opens…
***** Great things are now expected from the acclaimed Natalya Romaniw, and in Bruno Ravella’s production of Ariadne auf Naxos for Garsington Opera the warm, golden-voiced soprano delighted. She has enjoyed great success with this glorious opera company in a variety of roles that have demonstrated versatility of singing and acting across genres. Here Romaniw…
I am not certain I understood the closing of John Cox’s 2004 staging of Cosi fan tutte, revived with a splendid cast at Garsington Opera this season, as the two “soldiers” leave their lovers and head off to war. Have they decided that women really are all the same and they are better off with…
One of the many delights of Garsington Opera is how the glass walls of the pavilion allow for the “action” to begin and continue beyond the actual stage and auditorium. Being set in the exquisite Wormsley Estate, itself an Arcadian idyll, this is wonderfully appropriate for the first act of John Caird’s charming production of…
It is a very long way between lockdown in Cardiff and rehearsing in Texas for the opening of Houston Grand Opera Dialogue of the Carmelites in Texas. For soprano Natalya Romaniw that journey, from the cancellation mid run of Madam Butterfly at English National Opera in 2020 to February 2022’s opening of the Poulenc opera,…
This glorious production of Handel’s Amadigi is both a splendid, spirits (literally) raising experience and why our independent festivals are the shining stars of opera as they have struggled and overcome Covid restrictions. While most of our state funded opera houses and arts companies remained the domain of tumbleweed, Garsington and others have kept opera…
| Powered by WordPress | Theme by TheBootstrapThemes