opera
Glorious singing in Onegin at Garsington
Michael Boyd’s production makes excellent use of the glass pavilion at Garsington with peasants visible as they approach the stage and similarly the pairs of lovers (or not lovers in Onegin and Tatyana’s case) walking around the outside of the auditorium. However, it was distracting having some scenes overshadowed by unnecessary although stylish additions such…
Amadigi weaves modern magic at Garsington Opera
This glorious production of Handel’s Amadigi is both a splendid, spirits (literally) raising experience and why our independent festivals are the shining stars of opera as they have struggled and overcome Covid restrictions. While most of our state funded opera houses and arts companies remained the domain of tumbleweed, Garsington and others have kept opera…