Welsh National Opera
Peace and Passion, Welsh National Opera, Wales Millennium Centre
★★★ It could not have been more apt for this concert that Mozart was struggling to make ends meet and even hold onto life when composing the Requiem. Our sources tell us he was notorious for a lifestyle of expenditure that income could never keep up with. The work had to be finished by others…
Opera Favourites, Welsh National Opera
** While Welsh National Opera’s spring concert imaginatively called Opera Favourites did what it said on the tin, it was also partly a musical preview of some scheduled shows. There was, for example, a fair chunk of Mozart’s The Marriage of Figaro, February 2025, and a rousing chorus and orchestral section from Britten’s Peter Grimes,…
Così Fan Tutte, Welsh National Opera
Wales Millennium Centre *** There are some works which are harder to look at under a modern lens than others, and Così Fan Tutte is certainly one of that number. To bring to a stage, in 2024, a work that is literally titled ‘they’re all the same’ is inevitably to contend with its glaring sexism,…
Welsh National Opera says Arts Council allocation 10% below standstill funding
While Welsh National Opera has again received the largest single Arts Council of Wales funding allocation, the company says it amounts to a 10 per cent cut against its application for standstill funding. The company had applied for £4.5m but as part of Arts Council Wales’s Investment Review, it has received a conditional offer of £4.1m…
A conservative and beautiful La Traviata, Welsh National Opera, Wales Millennium Centre
What else can be done with La Traviata that has not been done already? Giuseppe Verdi’s most famous work, the one many regard as the quintessential opera, has been through such a huge number of incarnations, revisitations and reimaginings – some more fortunate than others – that one would be truly hard pressed to think…
Mark Doss talks about his career and singing Giorgio Germont in La Traviata with Welsh National Opera
Mark Doss sings Giorgio Germont in Verdi’s La Traviata which opens at Wales Millennium Centre on September 21 and tours to Llandudno, Bristol, Plymouth, Birmingham, Milton Keynes, Southampton Mike Smith: Can you tell me how you first came to work with WNO and what was that experience like compared to, say, work in the US?…
A delightful, enlightening Candide, Welsh National Opera
**** It has been a while since I can remember Welsh National Opera getting a (well-deserved) standing ovation and while it is a pity it is for a fun musical rather than “serious opera” at least the company is pleasing people again. Similarly, the previous crowd-pleaser was Blaze of Glory, another witty and laugh-out-loud lighter…
Magic Flute with chaotic youth energy
** I have a huge fondness for the Magic Flute, Mozart’s fantastical operatic quest, as it was the first opera I ever watched. Daisy Evans’ new production of the Magic Flute has clearly tried to do something a bit different and her production does have a chaotic youthful energy. Julia Sitkovetsky For me, the highpoint…
WNO Blaze of Glory! mines a deep musical seam
I have to confess to not really looking forward to an opera about Welsh choirs and coal mines. What next, a contemporary dance about rugby? Oh, we’ve had that. I was very pleasantly surprised by Blaze of Glory!, although I think the name and the supporting artwork really does not do this entertaining musical justice….
Welsh singers make Royal Opera history
Operatic history has been made this week with two Welsh singers taking the leading roles in Puccini’s Tosca at the Royal Opera, Covent Garden, for the first time. Gwyn Hughes Jones, from Llanbedrgoch, Anglesey and Natalya Romaniw, from Swansea, sang the doomed lovers Mario Cavaradossi and Floria Tosca in the ever popular opera. The run…