Il ritorno d’Ulisse, Garsington Opera at Wormsley
20th June 2026
Don Carlo, Grange Park Opera
15th June 2026
***** Sometimes it is a bore being an opera-loving academic classicist. On one hand it can be very helpful knowing the classical and mythological tales that so many operas are based on. On the other, however, directors and their designers can really get your purist heckles up. However, when this Mitridate, Re di Ponto opens…
***** Great things are now expected from the acclaimed Natalya Romaniw, and in Bruno Ravella’s production of Ariadne auf Naxos for Garsington Opera the warm, golden-voiced soprano delighted. She has enjoyed great success with this glorious opera company in a variety of roles that have demonstrated versatility of singing and acting across genres. Here Romaniw…
**** It has been a while since I can remember Welsh National Opera getting a (well-deserved) standing ovation and while it is a pity it is for a fun musical rather than “serious opera” at least the company is pleasing people again. Similarly, the previous crowd-pleaser was Blaze of Glory, another witty and laugh-out-loud lighter…
Watching Longborough Festival Opera’s L’elisir d’amore within 48 hours of attending Tristan und Isolde at Grange Opera made this genuinely funny production even more delightful. Delightful as Donizetti took the love potion straight from Wagner’s tragic masterpiece and turned into the heart of a comic romp that is quite the antidote to the demanding, and wonderful,…
***** Take singers in fabulous voice, the Gascoigne orchestra luxuriating in Wagner’s exquisite music and a visually and theatrically intelligent and beautiful production and you have Grange Park Opera’s life-affirming Tristan und Isolde. From those unmistakable opening sounds rising from the orchestra, under Stephen Barlow’s conducting, in the small and intimate Grange Park auditorium it…
**** John Doyle’s stark yet still beautiful staging of Massenet’s Werther continued what seems a probably unintended season of productions where the soprano dominates even if, as here, a man has the title role. The Gascoigne Orchestra conducted by Christopher Hopkins, sweeping along with the intense score, makes full affect with Massenet’s grand climatic moments….
**** Grange Park has brought together a powerful cast for this revival of Peter Relton’s 2017 direction of Tosca, with similarly stentorian conducting of the BBC Concert Orchestra by Mark Shanahan. While I am unfamiliar with the 2017 original show that is now revived by Stephen Medcalf, it remains the performance of the cast and…
**** One important achievement of Amy Lane’s handling of Götterdämmerung is that it allows the singers and musicians to concentrate their talent and skills on Wagner’s Ring Cycle catharsis without too much over direction. In a confined space it seems sensible to concentrate our focus on the unfolding drama which is all contained in the…
Newcastle University and Opera North have announced a new three-year collaboration, with the ambition to transform performance practice and audience accessibility through an exchange of knowledge between academic research and the operatic stage. The partnership builds on the two organisations’ history of working together around the Leeds-based opera company’s regular tours to Newcastle and Gateshead….
**** As Mid Wales Opera’s take on Humperdinck’s Hansel and Gretel came to a close, there was no other conclusion available other than to think this was a job supremely well done by all involved. Every aspect of Mid Wales Opera’s production clicked into place, resulting in a delightfully entertaining and visually arresting show. Gone…
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