***** Wagner is not often associated with levity, but Die Meistersinger von Nürnberg remains his great comic outlier: a sprawling, richly textured celebration of art, tradition, and renewal. That didn’t stop director Matthias Davids from turning it into something resembling an agricultural show —complete with hay bales, Merkel look-alikes, and, in Act III, a giant…
This new Parsifal for Bayreuth was really two productions: one for the small number of us with Augmented Reality glasses and the second for the vast majority of the audience without. While the embracing of whatever technology enhanced his own work was a hallmark of Richard Wagner, I doubt if he would have enjoyed this…
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